I Love Nuclear 我愛核子能 !? (Preview)

by 14 Taiwanese electronic music bedroom producers

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about

「BlackBells、Vice City、Iang、Yao、Aul、Koala、MAD、Roweing、Betty apple、Varo琬婷、TJ Zhang、灰雁、Alois、Tech Yes等14位台灣臥室電音創作人的純愛告白」

失真的噪音,轟炸的碎拍,迷幻的聲牆,扭曲的耳朵,舞動的身體,從Ambient到Breakcore,從Techno到Psychedelic Trance,這是一張關於瘋狂與荒謬的專輯,以及我們對這些瘋狂與荒謬的詮釋和感受。

它有一個抗議的對象,也有一個反省的向度;它的背景是核電,核電的瘋狂與荒謬。

科技逐漸從手段成為目的,並隱身在官僚、資本與帝國主義之間,偽裝與政治無關的、純粹為了民生而服務的中性名詞,「核能發電」正是如此體現了當代社會與科技間的拜物情節。而出生在80年代中後期、經歷了個人電腦普及化的我們,透過電腦接收到有別於官方說法的聲音,並學會透過電腦創作音樂,挖掘、再現我們對於核電這個龐大機器的所知所感。

跟資訊文字與視覺的直白指涉性相較之下,電子音樂的多重指涉向度能夠給予聽眾更大的詮釋空間。我們期待這張專輯所帶給聽眾的刺激也能如同電子音樂的特性一般,打破官方媒體對於核電的單方面說法,為這個社會議題打開更多的討論空間。


製作發行:耕聲人
www.facebook.com/soundfarmerstw
協力:綠色公民行動聯盟
www.facebook.com/gcaa.org.tw
美術設計:詹巽智
www.flickr.com/photos/8893499@N02


【本專輯與發行派對之音樂與視覺創作/演出皆為無酬,CD販售收入與門票收入將全數捐予綠色公民行動聯盟,作為廢核行動相關之用】

*本張專輯著作是採用創用CC姓名標示-非商業性-禁止改作 3.0 台灣 授權條款授權
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About this album:

A Love Confession from 14 Taiwanese Electronic Music Bedroom Producers: BlackBells, Vice City, Iang, Yao, Aul, Koala, MAD+N ft. Troy, Roweing, Betty apple, Varo琬婷, TJ Zang, 灰雁, Alois, Tech Yes...

Distorted sounds, exploding beats, acid ambience, twisting ears and grooving bodies. From ambient to breakcore, from techno to psytrance, this is a compilation about craziness and absurdity, as well as our interpretations of such craziness and absurdity.

It has a object of criticism as well as a space for introspection; it is foregrounded against nuclear power as well as the craziness and absurdity revolving around it.

Lurking behind bureaucracy, capitalism and imperialism, the means of technology has gradually been substituted for its ends; disguised as a neutral/apolitical term that claims to serve only the needs of the people. "Nuclear power" exemplifies such a fetish of modern society for technology.

At the same time, we, as children born in the late eighties, had experienced the popularization of the personal computer that enabled us to access information alternative to official viewpoints on nuclear power. Furthermore, by learning to make music with the computer, we were also free to explore and express our thoughts and doubts upon the nuclear power machine via sound.

Compared with the direct signification processes of medias such as informational texts and images, the ambiguous signifieds of electronic music gives the audience a higher interpretative authority. We hope that this album can create an influence that simulates such features in electronic music; we hope to disrupt the unilateral communication between official media and society and to create more discussions upon the issue of nuclear power .

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Publisher: Sound Farmers
www.facebook.com/soundfarmerstw
Sponsor: Green Citizens' Action Alliance
www.facebook.com/gcaa.org.tw
Graphic design: Chan Hsun-Chih
www.flickr.com/photos/8893499@N02

*All music and image creators participating in the production of this compilation agree to work free-of-charge. All profits from the album and release party will be donated to the Green Citizens' Action Alliance for anti-nuclear purposes.

*This album is licensed under the Creative Commons 3.0

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released December 14, 2012

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12/14 台灣發行派對 Taiwan Release Party

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